The first thirty-six chapters of Moby Dick do much more than just set up the plot. It is true that it is not until the 36th chapter that we are introduced to Ahab’s monomaniacal mission to kill the “white whale.” We are also introduced to the multi-ethnic crew of the Pequod, enjoy some fascinating discussions on religious relativism and its role in community, the exploitative economics of 19th century whaling, and the narrator Ishmael’s motives.
The novel opens with several pages of “extracts” revealing the evolution of interpretations about whales in Western culture. The opening extracts, from Biblical and Classical texts suggest an evil or malevolent force, much like Ahab’s interpretation of the “white whale” as a “inscrutable malice.” (967) Later extracts paint a picture of a whale as a scientifically-examined mystery or as a victim of industrial exploitation. As whaling expanded, whales and whale products became a part of daily life, but it is still used as a symbol, suggesting the inability of humans to fully understand the whale, despite its role in society and centuries of scientific investigation. Of course, over the course of the novel we will learn that whalers have a unique perspective on whales (going so far as to oppose the scientific designation of whales as mammals). The transformation of the natural world into commodities to be studied, used, and discarded does nothing to improve our understanding of the plants and animals that share this planet with us. Managers may spend much of their day around workers, but know little of their needs, desires, or lives. Meat-eaters consume flesh from animals they are indifferent to and utterly ignorant of. A butcher may have some additional knowledge, but likely little understanding. There is no guarantee that a farmer will have a more spiritual or honorable relationship to the land than an city-dweller. As in most things, the problem is one of power. In five thousand years of science and technological progress we go from the Bible’s “Now the Lord had prepared a great fish to swallow up Jonah” to “he saw the distended jaws of a large Sperm Whale close to the head of the boat, threatening it with instant destruction.” (783, 792)
The novel begins in some familiar territory, a worker (in this case a teacher) bored with his life and seeking a new adventure decides to go on a ship. Reading only the first chapter, we recognize Ishmael as akin to Typee or Taji. Redburn and “White-Jacket” were straight up workers, lacking some of these romantic journeying of the characters in the Pacific novels. Nevertheless, we get a richer and more cynical picture of the human condition in the opening pages of Moby Dick. Ishmael has no illusions about a better life at sea. He even claims that all humanity is enslaved and slavery on a whaling ship is not worse than any other. He addresses the “November in my soul” by becoming a worker. There is no Typee for him, no Yillah to search for. He is also resigned to “Fate.” “I think I can see a little into the springs and motives which being cunningly presented to me under various disguises, induced me to set about performing the part I did, besides cajoling me into the delusion that it was a choice resulting from my own unbiased freewill and discriminating judgment.” (799) Ahad’s motives are, of course, different. He is on a quest to destroy and evil and malevolent force. Those on the top can always redirect the energies into hobbies. Working folk are lucky if their labors affirm any of their values or pique their interests.
After introducing his motive, Melville introduces Ishmael to Queequeg, a Pacific Islander. This is the first hint that the interracial, transnational working class community of the whaling ship will play a major role in Moby-Dick. As in Typee, the narrator begins hesitant to interact with people he deemed a cannibal. (The tattooing plays a similar role as a facade of savagery as it does in Typee). Queequeg is not only a Pacific Islander, he is also a pagan, a fact that will test Ishmael’s solidarity and openness. We are introduced to the rest of the crew in the two chapters titled “Knights and Squires.” We are introduced to the officers first. Starbuck is the pure reflection of American pragmatism and capitalistic logic. Flask reflects more of the adventuring spirit of the American frontiersman. Stubbs is the epitome of American cheer and optimism. These three “knights” had three squires: Queeqeug, Tashtego, and Daggoo. Together they represent an international working class stretching from Africa to the South Pacific. In Mardi, Melville took the world and recreated in as a series of islands. In Moby-Dick, he takes the world with him as the crew of the Pequod.
Pay on the Pequod and other whaling ships was determined by a fraction of the total profits of the voyage, known as “lays.” Ishmael had hoped his experience in the merchant service would have provided for him a 200th lay, that is 1/200 of the profits. In one of the most memorable parts of the early sections of this book, we encounter two of the major owners of the ship, Captain Peleg and Captain Bildad, arguing about how severely to exploit Ishmael. Ishmael, already having decided to sign onto a whaling ship, has little bargaining power. At worst, he figured a 275th lay would have paid for his clothes. Bildad wanted to pay Ishmael the 777th lay and Peleg countered with the 300th lay, the amount he eventually agreed to. The much more valuable harpooner, Queequeg, received the 90th lay.
The same class distinctions that divided the crew of the Neversink in White-Jacket affect the Pequod, particularly in the contrast between the ordered hierarchy on the top and chaotic democracy among the workers. “Now, Ahab and his three mates formed what may be called the first table in the Pequod’s cabin. After their departure, taking place in inverted order to their arrival, the canvas cloth was cleared, or rather was restored to some hurried order by the pallid steward. . . . In strange contrast to the hardly tolerable constraint and nameless invisible domineerings of the captain’s table, was the entire care-free license and ease, the almost frantic democracy of those inferior fellows the harpooneers. While their masters, the mates, seemed afraid of the sound of the hinges of their own jaws, the harpooneers chewed their good with such a relish that there was a report to it.” (953)
There you have it. In these early chapters of Moby-Dick, Melville describes the dynamics of global capitalism in terms of power, the make-up of the working class, exploitation, and environmental destruction. This is the setting of his epic.