Henry David Thoreau: “Cape Cod” (1865)

It is generally supposed that they who have long been conversant with the Ocean can foretell, by certain indications, such as its roar and the notes of sea-fowl, when it will change from calm to storm; but probably no such ancient mariner as we dream of exists; they know no more, at least, than the older sailors do about this voyage of life on which we are all embarked. Nevertheless, we love to hear the sayings of old sailors, and their accounts of natural phenomena, which totally ignore, and are ignored by, science; and possibly they will not always looked over the gunwale so long in vain. (937)

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The final work by Henry David Thoreau collected in this Library of America volume is the posthumously published Cape Cod. (For my thoughts on his essays, see my previous posts organized in the Index, linked above.) Cape Cod has some similarities with The Maine Woods. Both were published in the year or two after Thoreau’s death with the leadership of his sister. Both were based on three separate trips to a place in New England, explored over the course of a decade. Both, potentially, give a long view of historical and environmental change. Cape Cod, however, looks at a place that is fully “civilized,” while The Maine Woods considered a place that, in Thoreau’s mind at least, was still a wilderness. To find this wilderness that so attracted him, Thoreau had to look to the coast and the sea. This is his only work to take the ocean as a category of analysis. Water was a major theme in Walden, but as part of the local ecosystem. Here the ocean stands as a behemoth before Thoreau.

The sea has even power over the land. “Perhaps what the Ocean takes from one part of the Cape it gives to another,—robs Peter to pay Paul. On the eastern side the sea appears to be everywhere encroaching on the land. Not only the land is undermined, and its ruins carried off by currents, but the sand is blown from the beach directly up the steep bank where it is one hundred and fifty feet high.” (956) The sea was not something that Thoreau could quite get a handle on, but he was impressed by the sailors and fishermen who dwelled in Cape Cod for their intimate knowledge of the sea.

As a node of capitalism, the exploitation of the environment, and commerce, Cape Cod is the polar opposite of the self-sufficient world Thoreau tried to create near Walden Pond. Lighthouses, ship wrecks, and small towns lining the cape. Nevertheless, Thoreau notices signs of people living on the margins, making a living from the periphery. I am sure he saw in these self-sufficient fishermen the pursuit of the same type of life he tried to live in Walden. “It is remarkable what a serious business men make of getting their dinners, and how universally shiftlessness and a groveling taste take refuge in a merely ant-like industry.” (976) He defends this “shiftlessness” as merely a coastal version of the life he advocated.

The chapter called “The Wellfleet Oysterman” is an interesting window into a vibrant subculture of Cape Cod. I am struck that in his other works, Thoreau has little to say about other people’s labors. Often they are cast aside as wage slavery or rejected along with the rest of the emerging industrial civilization Thoreau saw around him. This chapter may be his most careful study of how other people live and work. For me this is a sign of maturity on Thoreau’s part and suggests an opening of his mind. If Walden is about he chose to live and pursue freedom, Cape Cod is interested in how others have done so. And in his honest moments, he must confess that they find their own space for freedom, even within the capitalist civilization. So those of you who think that Thoreau is an impractical lifestylist, I do suggest taking a look at Cape Cod as well as The Maine Woods for evidence that he did have a broader appreciate for the system, the damage it caused and the diversity of ways people could live within it. Well, I will keep it short and sweet today. That completes my study of Thoreau, the great American individualist and perhaps early anarchist thinker.

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Henry David Thoreau: “The Maine Woods” (1864, posthumous)

The Anglo-American can indeed cut down, and grub up all this waving forest, and make a stump speech, and vote for Buchanan on its ruins, but he cannot converse with the spirit of the tree he fells, he cannot read the poetry and mythology which retire as he advances. He ignorantly erases mythological tablets in order to print his handbills and town-meeting warrants on them. Before he has learned his a b c in the beautiful but mystic lore of the wilderness which Spenser and Dante had just begun to read, he cuts it down, coins a pine-tree shilling, (as if to signify the pine’s value to him,) puts up a deestrict [sic] school-house, and introduces Webster’s spelling-book. (769–770)

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One thing that strikes the reader of Henry David Thoreau’s book The Maine Woods is that he is describing a region under incessant threat of industrial capitalism. There is a struggle for survival at the heart of this book between the expansionist forces of New England capitalism and a more diverse world sheltered in the woods of Maine. The book consists of three essays written by Thoreau after three separate trips to the Maine forests. The first was in 1846, when he was living in Walden. The second was in 1853. The final trip was in 1857. A close analysis (which I will not do here) will suggests a gradual erosion of the wilderness in the face of expanding American capitalism. With these tours we are really seeing different stages of this conquest. Thoreau finds much appealing about Maine compared to Massachusetts, but cannot help but notice that that world is under growing stress.

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The works Thoreau published during his life were really philosophical tracts that were presented as autobiographical narratives of his time living with nature. A Week was about a river trip. Walden, of course, was about his two years living near Walden pond. They can be read for the naturalistic value they offer, but mostly we approach those texts for what they say about Thoreau’s values and philosophy. The Maine Woods is much closer to a real travelogue.

So the signs of capitalist development are all around. We see it in the creeping settling of farmers, the formation of towns, the evaporation of Indian cultures, the rising of picket fences, and mills. Yes, it is not the cruel textile mills of Lowell, but it is the start and Thoreau is wary of much of what he observes. “But Maine, perhaps, will soon be where Massachusetts is. A good part of her territory is already as bare and commonplace as much of our neighborhood, and her villages generally are not so well shaded as ours. We seem to think that the earth must go through the ordeal of sheep-pasturage before it is habitable by man.” (710) Some parts of the forests Thoreau explored have already been worked over. In his account of the first trip, he described an old logging camp that has been abandoned, leaving the countryside “overgrown with weeds and bushes.” (626)

Many may approach The Maine Woods as a book of naturalism, and they would not be wrong. I find Thoreau’s descriptions of the people of the Maine forests as fascinating as his descriptions of the landscape. The Indian guides that so affected Thoreau with their beliefs and the fiercely independence settler stand are the center of The Maine Woods. These are, in the end, the only forces that could oppose the creeping gigantism of New England “civilization.” (I am often reminded of Deadwood these days, and I felt it again here in the assumed opposition of the pioneer settlers to the forces of state and corporate power.)

The only hope for the yet pristine parts of the Maine forests was that the United States may have already looked beyond New England and, by the 1850s, was more interested in exploiting and settling the “great West.” Yet even this is a false hope. For Thoreau, Bangor stands as a cancerous tumor in the middle of the woods. The forests are alive still but only for the moment.

We have advanced by leaps to the Pacific, and left many a lesser Oregon and California unexplored behind us. Though the railroad and the telegraph have been established on the shores of Maine, the Indian still looks out from her interior mountains over all these to the sea. There stands the city of Bangor, fifty miles up the Penobscot, at the head of navigation for vessels of the largest class, the principle lumber depot on this continent, with a population of twelve thousand, like a star on the edge of night, still hewing at the forests on which it is built, already overflowing with the luxuries and refinements of Europe, and sending its vessels to Spain, to England, and to the West Indies for its groceries, —and yet only a few axe-men have gone “up river,” into the howling wilderness which feeds it. The bear and deer are still found within its limits. (655)

So, although The Maine Woods is clearly one of Thoreau’s less well-known works and overshadowed by Walden and his great essays, it is historically significant and should be understand in the environmental history of the United States. In a world without wild spaces anymore, it is not always that useful go back to the imagined pristine wilderness. As much as Thoreau believes it exists, he did not understand how the Indians used and misused the natural world even centuries before whites arrived to the Americas. More useful, perhaps, is to look at the original crimes that led to the triumph of capital over the commons. Without fully knowing it, Thoreau did this in The Maine Woods. While describing the forests of Maine he was looking into the seizure of the commons. How this happened, where, when, and by whom are some of the most important historical questions of our time as we struggle to restore the commons before capital succeeds in the destruction of all life.

Henry David Thoreau: “Walden” (1854): Part Two

Patriotism is a maggot in their heads. What was the meaning of that South-Sea Exploring Expedition, with all its parade and expense, but an indirect recognition of the fact, that there are continents and seas in the moral world, to which every man is an isthmus or an inlet, yet unexplored by him, but that it is easier to sail many thousands of miles through cold and storm and cannibals, in a government ship, with five hundred men and boys to assist one, than it is to explore the private seas, the Atlantic and Pacific Ocean of one’s being alone. (578)

The chapters in Henry David Thoreau’s Walden or, Life in the Woods, following the indispensable introductory chapter “Economy,” consider different aspects of Thoreau’s economic, social, and philosophical life. They all flow from “Economy” and can be read in really any order once that initial chapter has been mastered. Oft-repeated, in many different ways, is his claim that most of the accoutrements of modern living are unnecessary—or even hostile—to living a good and reflective (he might say a “philosophical”) life. A handful of the chapters will be of special interest to people interested in nature writing, since they are focused on the local environment near Thoreau’s home at Walden pond. No chapter, even the ones devoted to nature, are indifferent to the social. Although he lived alone, he was never far enough away from society. Despite his choice to live alone, in the woods, Thoreau seems to have longed for human encounters and the authentic solidarity that came from interacting with neighbors. He has, however, utter disgust for the hierarchy and presumption that shapes so many human experiences. In his view, solidarity and community must be based on individual autonomy. Without it, you travel inexorably down the path to hierarchy.

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The joint chapters “Solitude” and “Visitors” consider the nature of loneliness and society. He finds most social interactions worthless compared to a more spiritual connection. It bears mentioning that most of the lonely people are surrounded by others all the time and Thoreau, living alone, claims to have been rarely lonely surrounded by nature and never far from potential visitors and conversation.

Society is commonly too cheap. We meet at very short intervals, not having had time to acquire any new value for each other. We meet at meals three times a day, and give each other a new taste of that old musty cheese that we are. We have had to agree on a certain set of rules, called etiquette and politeness, to make this frequent meeting tolerable, and tat we need not come to open war. We meet at the post office, and at the sociable, and about the fireside every night; we live thick and are in each other’s way, and stumble over one another, and I think we thus lose some respect for one another. Certainly less frequency would suffice for all important and hearty communications. Consider the girls in a factory,—never alone, hardly in their dreams. (430)

Perhaps this is the introvert’s perspective on social life. Looking around, I see plenty of people who seem to relish the constant companionship of others (otherwise explain the constant texting and Facebook updating). Are those who do not see a contradiction between withdrawing from the banality of society and yet longing for some rich company in the minority?

The chapter “Higher Laws” is of particular interest to me for it takes on the question of the morality of eating meat. He suggests that eating meat (as with hunting) is something that exists in the larval state of humanity. (That is his metaphor.) “We cannot but pity the boy who has never fired a gun; he is no more humane, while his education has been sadly neglected. This was my answer with respect to those youths who were bent on this pursuit, trusting that they would soon outgrow it. No humane being, past the thoughtless age of boyhood, will wantonly murder any creature, which holds its life by the same tenure that he does.” (492) The argument, fully developed, is that when people takes the time to understand their neighbors they will less likely be desiring to exploit and harm them. He then goes onto a discussion of other appetites and how they do not satisfy him, but we can develop his argument in another way and suggest that is it not also true that capitalism and its values exist in the larval stages of modernity. Thrust from our communities only recently, we are still like the young boy who first picks up his rifle, when we interact with our neighbors. Thoreau overcomes the desire to eat meat as he comes to understand the animals he shares his world with. In the same way, actually building communities and solidarity is the key to destroying the violence of capitalism. An interesting suggestion in this chapter is that self-sufficiency demands solidarity and simplicity in life. Someone who cooks their own food, washes their own dishes, and builds their own home will naturally accept a bit more simplicity than one who relies on others to do that job for them.

I am sure many readers of Walden find the type of he lives appealing, but has anyone read this account with a bit of disgust. Are most enthusiastic readers of Walden deceiving themselves? Deep down, do they really think such a life is possible for themselves? I have not uncommonly heard people proclaim the virtues of a simple life, yet maintain massive wardrobes. I am sure every “hoarder” can read a book like Walden and see its wisdom. Why is the gap between thought and action so far in this respect? Perhaps they will equivocate and say: “Well, that was possible in nineteenth century New England, but not now.” Was Thoreau any better prepared for two years in the woods than anyone living today? Perhaps, but it did not sound like anything he did was beyond the capacity of someone with a bit of common sense.

I think we should set aside the critique of “lifestylism” and take Thoreau seriously as a systemic critique of industrial capitalism and a model of an alternative. He clearly desired a future written with a new set of rules. In this way, he remains a politically important voice as we engage in creative imagining of the future.

There is an incessant influx of novelty into the world, and yet we tolerate incredible dulness [sic]. I need only suggest what kind of sermons are still listened to in the most enlightened countries. There are such words as joy and sorrow, but they are only the burden of a psalm, sung with a nasal twang, while we believe in the ordinary and mean. We think that we can change our clothes only. It is said that the British Empire is very large and respectable, and that the United States are a first-rate power. We do not believe that a tide rises and falls behind every man which can float the British Empire like a chip, if he should ever harbor it in his mind. Who knows what sort of seventeenth-year locust will next come out of the ground? The government of the world I live in was not framed, like that of Britain, in after-dinner conversations over the wine. (587)

Henry David Thoreau: “Walden” (1854): Part One

I do not speak to those who are well employed, in whatever circumstance, and they know whether they are well employed or not—but mainly to the mass of men who are discontented, and idly complaining of the hardness of their lot or of the times, when they might improve them. There are some who complain most energetically and inconsolably of any, because they are, as they say, doing their duty. I also have in mind that seemingly wealthy, but most terribly impoverished class of all, who have accumulated dross, but know not how to use it, or get rid of it, and thus have forged their own golden or silver fetters. (335)

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Walden by Henry David Thoreau probably is the central text in the American anarchist tradition, although Thoreau never used that word as far as I know. Walden describes the technical details about Thoreau’s two years living near Walden Pond in relative isolation from his neighbors (although he was in walking distance from Concord). He saw it as a successful experiment in self-sufficiency. He took pains to describe how his experiment worked and why his model of simplicity was preferable to the values embraced by industrializing America. He was not rejecting progress. He saw what he was doing as clearly improvements and developments, including building a house, raising crops, and experimenting in innovative techniques. Through it all, however, his pursued these improvements in respect to his own values, needs, and desires.

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I am not sure how applicable the way of life described in Walden is to our world. I am sure many anarchists today would accuse someone pursuing a similar experiment today of engaging in “lifestylism,” or point out how his privileged position (having access to Emerson’s land near Concord, being a white male, etc.). These critiques may be fair, but throughout Walden, Thoreau neither rejects the need to critique the world he lives in (the one that began again a mile from his house) nor turns his back on community and society.

Some of you, we all know, are poor, find it hard to live, are sometimes, as it were, gasping for breath. I have no doubts that some of you who read this book are unable to pay for all the dinners which you have actually eaten, or for the coats and shoes which are fast wearing or are already worn out, and have come to this page to spend borrowed or stolen time, robbing your creditors of an hour. (328)

The opening chapter of Walden is the longest. Since it is such a doozy, I will focus just on it today. This chapter stands as one of the great individualist critiques of industrial capitalism. Its prominent place in the book reminds us that Thoreau is interested in the social relations at the root of the rapidly changing world that he lived in. The fact of rapid transformation makes the lessons of the elders meaningless to Thoreau. One problem that industrial capitalism is that is distances us from a knowledge of what is really needed for life and our own capacities. The appeal of the “frontier life” is that it articulates the boundaries of this need and individual potential. He uses the metaphor of being too “warm” to suggest the nefarious aspect of growing wealthy and pursuing luxuries. Intellectual labors have been similarly degraded into the pursuit of luxury, rather than philosophy. By dwelling on the question of necessity, Thoreau tells us that we are not actually that far from post-scarcity (and if we were in 1854 we certainly are now). Increased false needs, luxuries and the like, are one of the major chains preventing us from living freely. Another aspect of this is the feeling that production has value only for commerce. For an individual, the fact that someone does not want to purchase what another has created does not decrease the value of that thing for the creator.

Following this, he explores some of the necessities of life, such as clothing, shelter, and food. The purpose of economy must be to achieve these needs, but our understanding of our needs has been perverted. While some of his arguments about self-sufficiency are dated, others seem inspiring to me. The idea of people building their own home rather than accept a lifetime of debt to banks is not only admirable, but perfectly within the realm of possibility, especially is pursed in community solidarity. From our late capitalist perspective we can look at Thoreau’s model for individual self-sufficiency as a model for sustainability by limited consumption. It is also an argument against work. He insisted that he had to work for others only as a day laborer for a few days per year. Compare this to the endless wage slavery most people of the world face today (if they are the “lucky” ones with jobs). In short, limited needs means limited need to work and limited obligation to institutions indifferent to your survival. This is not an anti-social argument, but a foundation for a much more sociable experience. He does think it is hard for people of radically different values and strategies in life to work together, but he is open to people getting their “living together.” (379)

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He has a useful examples of the added benefit of a simple life. Two people want to travel. One walks, working along the way as necessary, but always making progress toward her goal. The second, works to save up enough to purchase a train ticket. Thoreau was unconvinced that the later would reach the destination first and would have a much less meaningful experience. Today, I guess few people still take the option of working on a merchant ship to see the world, but I think we can think seriously about travelling in lower tech ways. Two weeks on a train, instead of one day on a plane may seem rational and ensure I will miss the least amount of work, but I can think of much added value that could come from the slower option.

The chapter on economy ends with a criticism of the reformism that was so popular in Thoreau’s day. He targeting philanthropy as essentially an outside imposition on people’s lives, full of moral baggage. He may have underestimated the horror of poverty, often making an assumption that a poor person may enjoy his life, but we can still take from him a belief that charity need not be presumptuous.

Following “Economy” is a series of shorter chapters that go on until the end of the book. They deal with a variety of topics. Sometimes building off of themes in the first chapter. They can, and should be, read in small chunks for various bits of applied wisdom. I think outside of “Economy,” which really is a primer for the rest, the chapters of Walden can be consumed freely and willfully. I, however, was systematic. I will talk about some of these seventeen chapters in the next post.

Henry David Thoreau: “A Week on the Concord and Merrimack Rivers”: Tuesday, Wednesday, Thursday, Friday

Friendship is, at any rate, a relation of perfect equality. It cannot well spare any outward sign of equal obligation and advantage. The nobleman can never have a Friend among his retainers, nor the king among his subjects. Not that the parties to it are in all respects equal, but they are equal in all that respects or affects their Friendship. The one’s love is exactly balanced and represented by the other’s. (220–221)

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This lovely passage comes from the “Wednesday” chapter of Henry David Thoreau’s book A Week on the Concord and Merrimack Rivers. The chapter, which is devoted to the question of this fundamental social relationship is one of the most memorable for me because it is looking at what an egalitarian relationship can look like, while acknowledging that most relationships between people fall far short of the friendship ideal. He perhaps takes too seriously the Confucian ideal of friendship (but if we ignore the rest of that system we can see that one part as redeeming). He goes beyond a strict definition of friendship and see friendship and love as a place of creative experimentation in social relationships. “Ignorance and bungling with love are better than wisdom and skill without.” (231) Only at that point does the usefulness of friendship come into play. It is almost presented as an afterthought in the chapter. What does come across strongly he is belief that the foundation of friendship is a more rational and just organization of society than in hierarchical or strictly pecuniary relationships. As a cooperative relationship it is better foundation for people to engage in individual re-creation and experimentation. Forgive a rather lengthy quotation:

I am never rich in money, and I am never meanly poor. If debts are incurred, why, debts are in the course of events cancelled, as it were by the same law by which they were incurred. I heard that an engagement was entered into between a certain youth and a maiden, and then I heard that it was broken off, but I did not know the reason in either case. We are hedged about, we think, by accident and circumstance, now we creep as in a dream, and now again we run, as if there were a fate in it, and all things thwarted or assisted. . . . When every other path would fail, with singular and unerring confidence we advance on our particular course. What risks we run! Famine and fire and pestilence, and the thousand forms of a cruel fate,—and yet every man lives till he—dies. How did he manage that? Is there no immediate danger? . . . No matter what imprudent haste in my career; I am permitted to be rash. (239–240)

It is compelling enough out of context, but in the context we realize that this freedom to explore and dare is the wages of friendship. Notice with me that Thoreau’s primary concern throughout A Week is a type of freedom that has a strong social foundation.

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“Thursday” and “Friday” are thematically united around creativity, first artistic and then scientific. As might be expected, Thoreau believed that nature was often a source of inspiration for creativity, but it is more than that. Art and nature are thematically united. “Art is no tame, and Nature is now wild, in the ordinary sense. A perfect work of man’s art would also be wild or natural in a good sense. Man tames Nature only that he may at last make her more free even than he found her, though he may never yet have succeeded.” (258) That last big seems a backhanded strike at industrialization, which tames Nature by making it a devastated servant of humanity’s more crass needs.

In these chapters, Thoreau may be foreshadowing Nietzsche in his definition of “the Man of Genius,” which includes artists. The Man of Genius is “an originator, an inspired or demonic man, who produces a perfect work in obedience to laws yet unexplored.” (267) In contrast to the Man of Genius (the Artist) is the Artisan, who applies such rules. The poet is a special case of the Man of Genius because his laws cannot be easily applied or decoded. It seems to me Thoreau may define the Man of Genius a bit too narrowly, in part to justify his own life and accomplishments, but there is still something to be said for the creative and promethean urge.

A Week ends with Thoreau’s summation of the role of Nature in human life. Rather than something to overcome, Thoreau sees nature as something that must be achieved. “Men nowhere, east or west, live yet a natural life, round which the vine clings, and which the elm willingly shadows. Man would desecrate it by his touch, and so the beauty of the world remained veiled to his touch, and so the beauty of the world remains veiled to him. He needs not only to be spiritualized, but naturalized, on the soil of the earth.” (307) In this end we find a tension in Thoreau’s vision articulated most clearly. He appreciates the creative urge and the risk-taking spirit in other parts of his work, but remains dissatisfied with what humanity has accomplished. This is less of a dilemma than you would think, because it is the very creative and promethean urge that is the essence of nature. Civilization is what limits our creativity. Perhaps for some this will be a call for primitivism, but there is no looking back in Thoreau’s writings, except for the brief lesson. His is a projectural philosophy.

A Week is a challenging book to read and certainly not one that can be dissected quickly in two short blog posts. Walden, when I first read it years ago, struck me as fairly straightforward compare to this. Perhaps we see two sides. A Week is Thoreau as a poet, Walden is Thoreau as an artisan. I suspect many people will find the mystical speculations of A Week appealing, but both works are actually interested in our social lives and our ways of being together, even when we seek out periods of isolation and solitude. This is one of those works I may come back to sooner, in hopes of digging deeper into Thoreau’s mind. But for now, I am not flustered. Yes, A Week was opaque to me from time to time but that is part of what keep it so fascinating.

Henry David Thoreau: “A Week on the Concord and Merrimack Rivers”: Saturday, Sunday, Monday

Surely the fates are forever kind, through Nature’s laws are more immutable than any despot’s, yet to man’s daily life they rarely seem rigid, but permit him to relax with license in summer weather. He is not harshly reminded of the things he may not do. She is very kind and liberal to all men of vicious habits, and certainly does not deny them quarter; they do not die without priest. Still they maintain life along the way, keeping this side the Styx, still hearty, still resolute, “never better in their lives”; and again, after a dozen years have elapsed, they start up from behind a hedge, asking for work and wages for able-bodied men. (30)

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Henry David Thoreau’s brilliant book, A Week on the Concord and Merrimack Rivers, is hard to summarize or even isolate thematically. Like the subtly changing landscapes along the Massachusetts waterways that Thoreau describes, his philosophical ponderings venture from the personal to the national to the universal. Many readers will tease out something for themselves, likely disregarding the rest. If, on the surface, A Week is a naturalists account of the plant and animal life and scenery of the river, it is also a documentary of his thoughts and values. Now we are free to take in some of the scenery and completely ignore others—Thoreau is not an authoritarian telling us to “Look at that tree!” In the same way we are free to completely ignore some of his philosophy. It does not seem to me to be a system that requires unification and strict method for the observer. Nature has certain rules and principles governing how things work. Thoreau’s philosophy has that as well. In neither case, are we required to know what those rules are to appreciate the beauty before us. A Week is an ideal book to read on a day when you promise yourself to do nothing. Maybe it needs to be read in that way. I had trouble getting into it before because I was thinking about what to say about it. I came back to it a bit hung over, bored and uninspired and its treasures opened up before me.

A Week on the Concord and Merrimack Rivers was Henry David Thoreau’s first book. It was written alongside Walden while he was living at Walden Pond. It was published in 1849, almost a decade after the trip that it supposedly documents. It was a disappointment. Emerson did not promote the book to Thoreau’s disappointment. Of the original 1,000 books, Thoreau took back 706 of them. So, it is fair to say that Thoreau was largely neglected at this time. A few years later, Walden will be much more successful. Of course, Thoreau is not making a living from his writing and works various jobs throughout his life such as teaching, surveying, and a bit of lecturing.

A Week is broken up into seven chapters, each corresponding to a date. While I cannot even attempt to approach a summary of the work, I can highlight some anarchist themes. Thoreau is commonly identified as an anarchist and is certainly one of the most important figures in the American libertarian traditions. Months ago I looked at his essays and found not only themes of anti-slavery and individualism, but also strong currents of anti-capitalism and even work resistance. The theme of work resistance surprised me because I rarely saw that outside of a fully industrial, post-scarcity economy. Thoreau was not like Kropotkin, he was suspicious of industrialization and technology. His argument against industrial regimen of work was rooted in his effort to preserve individualism in the face of a homogenizing society. Anyway, let’s see what A Week contributes to my growing literary arsenal of anarchism.

At times Thoreau seems to hack the promethean spirit of early America, a belief in progress and the potential of the human mind to accomplish great deeds, while also sabotaging some of the clearest images of that progress. He questions the application of that promethean spirit.

Instead of the Scythian vastness of the Billerica night, and its wild musical sounds, we were kept awake by the boisterous sport of some Irish laborers on the railroad, wafted to us over the water, still unwearied and unresting on this seventh day, who would not have done with whirling up and down the track with every increasing velocity and still reviving shouts, till late in the night. [Notice that the exploitation of labor and the violation of nature are two sides of the same process for Thoreau.] One sailor was visited in his dreams this night by the Evil Destinies, and all those powers that are hostile to human life, which constrain and oppress the minds of men, and make their path seem difficult and narrow, and beset with dangers, so that the most innocent and worthy enterprises appear insolent and a tempting of fate, and the gods go not with us. But the other happily passed a serene and even ambrosial or immortal night, and his sleep was dreamless, or only the atmosphere of pleasant dreams remained, a happy natural sleep until the morning; and his cheerful spirit soothed and reassured his brother, for whenever they meet, the Good Genius is sure to prevail. (94)

In this second part, Thoreau details the two sides of this coin, labeling them the Evil Destinies and the Good Genius. It is the tension between these two sides of the American spirit that come as close as anything can to being a theme of the book.

As in the opening quote, Thoreau consistently uses the language of freedom and oppression. I included that one because it suggest the logic of the liberal state in a certain way. Like nature, the liberal state gives the illusion of autonomy and freedom. And in the same way that the industrial frontier is just 12 years away from shattering the myth that nature’s laws can be overcome, so is the jackbooted nature of the state always just one crisis from being exposed. Thoreau is perhaps most interested in the tension between freedom nature provides and the unavoidable laws of nature and the pull of society. “Gardening is civil and social, but it wants the vigor and freedom of the forest and the outlaw. There may be an excess of cultivation as well as of anything else, until civilization becomes pathetic. A highly cultivated man,—all whose bones can be bent! Whose heavenborn virtues are but good manners!” (45–46)

Thoreau’s critique of religion is libertarian to the core. A major theme of “Sunday,” the second day of the “week,” is that religions are products of their societies and reinforce the needs and assumptions of that civilization. A hierarchical society, while have a hierarchical god. A terrified society will have gods that terrify them. Thoreau seems to take from this two conclusions. The first is that people should not take the Bible very seriously, pointing out that it does not have much to teach that is valuable or unknown and that it is also bad poetry. “Examine your authority. Even Christ, we fear, had his scheme, his conformity to tradition, which slightly vitiates his teaching. He had not swallowed all formulas. He preached some mere doctrines.” (57) The second conclusion extends from this and suggests that we should create religious traditions that work for ourselves. Is he predicting William James? He talks about a wood-chopper who may find little of practical value in the New Testament. His goodness and conscience is not derived from faith and certainly not organized religion (which is often mocks in the book). “Monday” continues some of the religious perspectives of “Sunday,” where Thoreau takes a special look at the value and limitations of Hinduism and the ancient Greeks. Through this discussion these is the general suggestion that all the different philosophies and religions are windows to the same truth.

Thoreau is constantly worried that the universal truths of nature and humanity (including all that ancient “wisdom” that he gobbles up with only nominal reflection) is doomed to be swept aside and forgotten by the mad rush to industrialization. Even local history, often the topic of A Week, is in danger of being lost. Here is his ideal:

Let a thousand surmises shed some light on this story. We will not be confined by historical, even geological periods which would allow us to doubt of a progress in human affairs. If we rise above this wisdom for a day, we shall expect that this morning of the race, in which it has been supplied with the simplest necessaries, with corn, and wine, and honey, and oil, and fire, and articulate speech, and agricultural and other arts, reared up by degrees from the condition of ants to men, will be succeeded by a day of equally progressive splendor. (127)

Thoreau seems to realize that the world around him is a graveyard of ideas, past ways of living, bits of nature, people, and even entire towns. He is uncomfortable in such a place. At one point he said that has no friends in the graveyard. This again is the two sided coin. The same promethean spirit that Thoreau wants to embrace is responsible for digging a lot of graves.

James T. Farrell, “Judgment Day” (1935): How to Sleep Through a Revolutionary Moment

Grim-faced men in working clothes and overalls with an interspersing of women in their ranks marched slowly along a high fence surrounding a factory in a mid-western town, watched by special deputies who stood at regularly-spaced intervals with clubs and truncheons ready. Above the geometrically patterned factory windows, two chimney’s smoked. (594)

He paused at South Shore Drive and looked across at the arched entrance-way to the club grounds, wondering again what should he do now. Carroll Dowson had just joined South Shore Country Club, he remembered, and was getting up in the world. Well, the day would come when Studs Lonigan could join a swell club like that if he wanted to. (739–740)

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The final volume of James T. Farrell’s Studs Lonigan trilogy, Judgment Day, reads like a guidebook on how to squander a revolutionary movement. In the first two volumes of the series we see Studs Lonigan squander his intelligence and potential in a half-hearted resistance against the institutions that dominate his life. His rebellion is only passive and usually unacknowledged. Studs rejects the “American” values of hard work. He rejects Catholic sexuality and religious practices. He even rejects his community, disregarding friends and family for short-term psychological advantage. Yet, into his late 20s and early 30s, Studs is still capable of resting his identity on these very structures. This is him in response to yet another leftist trying to awaken his political imagination.

Studs laughed at the crazy bastard. A Bolshevik. He supposed the guy was a nigger lover, too. Well, let the Bolshevik get tough. They’d be taken care of, just the same as the shines were during the race riots of ’19. (709)

This is meant to be embarrassing to read, especially after we have been following Studs with no amount of concerned interest for seven hundred pages. He treats the post-World War I Chicago race riots in the same what he treated his childhood brawl with a classmate. He turns what was a vulgar and ugly affair, with no redeeming features, into a celebration that long out lives the event. When looking at the previous volume in the series, I tried to approach the dilemma of Studs’ resistance to institutional confinement along with his embrace of those very structures as his personal identity. Two things make all of this harder to watch. First, Studs is getting old quickly. A life of drinking, smoking, and chasing women has left him worn beyond his years. He is around 30 now and has nothing to show for his life. Second, Studs has been placed in a moment of historical transformation. The novel is set in 1932, during the election campaign that would bring Franklin Delano Roosevelt to office. Studs is surrounded by revolutionaries and revolutionary activity. More so than in the other words in the series, Farrell populates this book with news, trying to hit home that Studs is sleeping through a storm.

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It is time to examine Farrell’s politics. He was from a union family; his father was a teamster in Chicago.  His writing career began in journalism, writing columns and book reviews for newspapers. In his mid-20s, while writing Young Lonigan he advocated racial integration at the University of Chicago dramatic association. After the Great Depression began, Farrell was writing articles for New Masses. His career is largely literary but he engages in political actions such as May Day marches and picketing publishers that fired leftists. By the time he was finishing the Studs Lonigan triology in 1935, Farrell was fully part of the leftist opposition in the United States. He became a follower of Leon Trotsky and was greatly affected by his murder, having earlier travelled to Mexico to support Trotsky in his legal difficulties there in 1937. During the Cold War, Farrell continued his vocal defenses of leftist writers and thinkers and also worked to support the growing United Auto Workers. In many ways, Farrell’s biography reads like a model example of Great Depression era American radicals. Knowing this makes it easier to read Studs Lonigan as a leftist critique of American working class provinciality and false consciousness.

Back to the tale. In Judgment Day, Farrell places Studs Lonigan in a revolutionary situation. Lonigan does everything he can to avoid facing the historical moment he was in. Instead he continued to shuffle through his life, which is becoming increasingly pathetic to watch. Some of his friends are in jail or dead, but this is not as tragic as Lonigan’s own living death. It also suggests the costs of his earlier recklessness. While we do not want to condemn every (or even most) efforts at pleasure seeking, Lonigan refused to ever examine critically the world he lived in, despite being given insight from many of the people in his life. The costs of this is he is impotent to do anything but accept the guidance of others.

Some of what Lonigan does in the first part of this novel include attend funerals and talk about the good old days. He had a steady girlfriend, Catherine, but he is rather indifferent to her. Lonigan realizes that she is a good hearted woman and would make a good wife, but he cannot help but think he is settling for less than he deserves because of her mediocre looks and figure. He cheats on her, they fight constantly, and the relationship goes nowhere despite a marriage proposal early in the story. He is constantly losing money in the stock market because he invests what little money he has on promises made by opportunities who (like President Hoover) promised the recovery was right around the corner. More than a game, it is one more burden on his already immobile existence. It is also evidence that Lonigan has no capacity to examine the world critically. He joins a secret Catholic brotherhood called the Order of Christopher. Of course, he fails to follow through on what membership in this group might provide to the now-middle-aged man.

Catherine properly diagnoses Studs’ problem during one of their fights. “Only you’re walking along here, so self-satisfied acting as if you were so pleased, with a head like a big balloon full of false pride, acting as if you thought yourself . . . indispensable.” (726) His response to this apt critique is the only strategy he has learned in almost 20 years on the streets. He tries to smash Catherine’s self-confidence. At the mid-point of Judgment Day Lonigan pays to sleep with a married woman who has lost her money gambling and feared to return to her husband empty handed. Yet, despite his betrayal, ridicule, and abuse of Catherine he is confident that a pleasant note preparing their reconciliation is waiting for him.

The second half of the novel really focuses on Studs rapid decline. After the argument with Catherine, he attempts to sleep with the gambler again but is humiliated and thrown out of her house. Studs, who rests much of his masculinity of a perception of his sexual prowess, is told “you don’t even know how to jazz.” (771) Failed, he returns to Catherine. After reuniting Studs rather violently has sex with her. As he apparently raped her and took her virginity, he feels instantly guilty about it and shows some humility before his friends refusing to gossip about it. Throughout their subsequent sexual relationship, Catherine insists on marrying soon. Studs knows that times are bad and he lost most of his savings in playing the stock market so I attempts to evade the commitment. The announcement that Catherine is pregnant forces his hand, but neither family understand why they must hurry to marry given the Depression. He looks for jobs and catches pneumonia and dies.

The political assertiveness of the first half of the novel falls away, for good reasons. Studs’ times for dreaming and making a name for himself ended with Catherine’s pregnancy. At that point, even if he had a political awakening (which he did not), he was forced to focus solely on the family. Responsibility got forced upon him is one way of saying it. Another way to say it is that Studs was forced into action. But is this not exactly the place the nation was at in the early 1930s? When writing this blog, I have rarely looked at what literary critics have been saying about these works, but I cannot help but see the Studs Lonigan trilogy as more than a description of working class life. Studs is a metaphor for America in the 1920s and 1930s. The Depression, like Catherine’s pregnancy, forced the nation into bold action. In 1935, Farrell has no way of knowing if the half measures of the New Deal would be enough. I suspect he would have found them limiting, which is why Lonigan has to die at the end.

In the second to last chapter, we see Studs’ father walking the street, bumping into a “Red parade.” Old man Lonigan has become increasingly fascist during the Depression, even suggesting the need for a Mussolini to help correct America’s economy with an emergency dictatorship. We are reminded at the end, through this parade, that many in the United States were not sleeping through the revolutionary moment. It also paints a sharp contrast to the street as it has been presented in the previous 900 pages. Instead of a place of rootless wandering, racial violence, and sexism, it becomes the space of re-creation and re-imagining. This takes place while Studs is dying (his father wonders if he is already dead).

Strange music filling the street, the shouts and cries of an approaching throng headed by an overcalled white man and a Negro carrying an American and a red flag, policeman stretched along the cubs in both directions, shabby people behind the line of bluecoats, a crowd constantly augmenting in front of the corner speakeasy saloon, children scampering and dodging through the group; all this befogged and confused Lonigan, and he puzzled with himself trying to figure what it was. . . The noise and music swelled in volume, and he told himself, as if in an argument with someone else, that with things as bad, why couldn’t the Reds let well enough alone. (934–935)

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Union Square Rally, 1930s

The scene goes on for quite some time, juxtaposing the lively parade scenes with the failure of Old Man Lonigan to understand that the people he condemned throughout his life were doing the promethean imagining that he and his son could not.

What shocks him above all is their capacity for political pleasure (something he never had through a lifetime of support for the Democratic Party).

He seemed happy. That frail little woman in blue. They were happy. And they didn’t look like dangerous agitators, that is, except the eight-balls. All black boys were dangerous, and they couldn’t be trusted farther than their noses. But the white ones, they looked like men and women, with faces the same as other men and women. He could see that most of them were poor, and many of them, like that fellow in gray dragging his feet, were tired. He wondered how they could be Reds and anarchists, so dangerous and so perverted that they even made little children into atheists. He shook his head in bewilderment, and repeated to himself that these people were happy. (940)

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Old Man Lonigan navigates the protests and starts drinking at a bar, spending the last moments of his son’s life angry and drunk.